Década
- A Fera Das Neves / O Monstro da Neve (Snowbeast, 1977), de Herb Wallerstein
- Êxtase Psicodélico pelo Cinema, de Estevão Augusto
- Barulho no Texas / Amazona do Texas / Confusão no Texas (Trouble in Texas, 1937), de Robert N. Bradbury
- Battle of Blood Island (1960), de Joel M. Rapp
- O Morcego (The Bat, 1926), de Roland West
- A Vingança do Dr. X (Body of the Prey / The Revenge of Doctor X, 1966), de Norman Thomson
- O Ring / O Ringue (The Ring, 1927), de Alfred Hitchcock
- The Guy from Harlem (1977), de Rene Martinez Jr.
- Projeto 68 (2008), de Júlia Mariano
- Guerrilheiros do Sertão (The Bushwhackers, 1951), de Rod Amateau
- Trapped by Television (1936), de Del Lord
- 50 Anos de Os Cafajestes (1962), de Ruy Guerra
- Non-Stop New York (1937), de Robert Stevenson
- Delinquent Daughters (1944), de Albert Herman
- King Arthur Was a Gentleman (1942), de Marcel Varnel
- A Noite do Lobo (Moon of the Wolf, 1972), de Daniel Petrie
- Chained for Life (1951), de Harry L. Fraser
- Dominique (Dominique Is Dead, 1978), de Michael Anderson
- The Death of Poor Joe (1901), de George Albert Smith
- Sitting on the Moon (1936), de Ralph Staub
- Blood Thirst (1971), de Newt Arnold
- Lena Horne em Duke, O Máximo do Swing (The Duke Is Tops / The Bronze Venus, 1938), de William Nolte e Ralph Cooper
- Stilwell Road (1945), de Robert Presnell Sr.
- A Shot in the Dark (1935), de Charles Lamont
- Green Eyes (1934), de Richard Thorpe
- Attack! Battle of New Britain (1944), de Robert Presnell Sr.
- Na Pista do Traidor / O Cavaleiro do Destino (Riders of Destiny, 1933), de Robert N. Bradbury
- A Grande Roda / Brincando com a Sorte (The Big Wheel, 1949), de Edward Ludwig
- My Outlaw Brother / My Brother, the Outlaw (1951), de Elliott Nugent
- Fora da Lei (Outside the Law, 1920), de Tod Browning
- The Beast of Borneo (1934), de Harry Garson
- O Sheik (The Sheik, 1921), de George Melford
- House of Mystery (1934), de William Nigh
- People Are Funny (1946), de Sam White
- Domando Hollywood / Um Motivo para Cantar / Como se Vence em Hollywood (Something to Sing About, 1937), de Victor Schertzinger
- Swing It, Sailor! (1938), de Raymond Cannon
- Todos Muito Estranhos (All the Kind Strangers, 1974), de Burt Kennedy
- Os Fantasmas Enlouqueceram (Ghosts on the Loose, 1943), de William Beaudine
- The Astral Factor (1976), de John Florea, Gene Fowler Jr. e Arthur C. Pierce
- O Cavaleiro do Colorado (Colorado Sundown, 1952), de William Witney
- A Vida e Paixão de Jesus Cristo (La vie et la passion de Jésus Christ, 1903), de Ferdinand Zecca e Lucien Nonguet
- Gold (1932), de Otto Brower
- Marie Galante (1934), de Henry King
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- Göd Knöws Whö… (2011), de Dennison Ramalho
- O Paladino (2010), de Dinis Ferreira Cortes
- Ken Russell on Federico Fellini (2009)
- Pedaço de Papel (2010), de Cesar Raphael
- Maciste no Inferno (Maciste all’inferno, 1926), de Guido Brignone
- L’Odissea (1911), de Francesco Bertolini, Giuseppe de Liguoro e Adolfo Padovan
- O Inferno (L’Inferno, 1911), de Francesco Bertolini, Adolfo Padovan e Giuseppe de Liguoro
- Portrait of a Lady Far Away / Sima-ye zani dar doordast (2005), de Ali Mosaffa
- As Simple as That / Be hamin sadegi (2008), de Seyyed Reza Mir-Karimi
- Twelve Crowded Hours (1939), de Lew Landers
- David, o Caçula / David, o Tolerado (Tol’able David, 1921), de Henry King
- Freddy Breck Ballet (2010), de Gurcius Gewdner
- Rock River Renegades (1942), de S. Roy Luby
- A Vida em um Dia (Life in a Day, 2011), de Kevin Macdonald
- Os Divorciados do Século / Divórcio Dele, Divórcio Dela (Divorce His – Divorce Hers, 1973), de Waris Hussein
- O Jovem Buffalo Bill (Young Buffalo Bill, 1940), de Joseph Kane
- Hell’s Highway (1932), de Rowland Brown
- One Frightened Night (1935), de Christy Cabanne
- A Hora do Assassino (Funeral for an Assassin, 1977), de Ivan Hall
- One Way Ticket to Hell / Teenage Devil Dolls (1955), de Bamlet L. Price Jr.
- The Violent Years (1956), de William Morgan / Wm. M. Morgan
- Teenage Thunder (1957), de Paul Helmick
- High School Caesar (1960), de O’Dale Ireland
- Êxtase (Ekstase, 1933), de Gustav Machatý
- Children of the Night (1985), de Robert Markowitz
- Bloody Wednesday (1987), de Mark G. Gilhuis
- As Mãos de Orlac (Orlacs Hände, 1924), de Robert Wiene
- Rosas de Sangue / O Sangue e a Rosa (Et Mourir de Plaisir, 1960), de Roger Vadim
- No Turbilhão da Metrópole (Street Scene, 1931), de King Vidor
- O Solitário Ataque de Vorgon (2010), de Caio D’Andrea
- The Sphinx (1933), de Phil Rosen e Wilfred Lucas
- Tempestade Num Copo D’Água (Storm in a Teacup, 1937), de Ian Dalrymple e Victor Saville
- Fallguy (1962), de Donn Harling
- Aristocracia Americana (American Aristocracy, 1916), de Lloyd Ingraham
- Entretantos (2009), de Magnum Borini e Ricardo Spencer
- Eternal Evil / The Blue Man (1985), de George Mihalka
- The Joe Louis Story (1953), de Robert Gordon
- Armadilha do Destino / O Beco (Cul-de-sac, 1966), de Roman Polanski
- Rescue from Gilligan’s Island (1978), de Leslie H. Martinson
- Uma Visita para Elizabeth Teixeira (2011), de Susanna Lira
- Guidable – A Verdadeira História do Ratos de Porão (2008), de Fernando Rick e Marcelo Appezzato
- O Sargento Prodígio (Hay Foot, 1942), de Fred Guiol
- Terra de Paixões / Horizontes de Sangue (Gunfighters, 1947), de George Waggner
- O Planeta dos Dinossauros (Planet of Dinosaurs, 1977), de James K. Shea
- Louisiana Hussy (1959), de Lee Sholem e William Rowland
- Love on the Dole (1941), de John Baxter
