1920
- Fora da Lei (Outside the Law, 1920), de Tod Browning
- O Sheik (The Sheik, 1921), de George Melford
- Maciste no Inferno (Maciste all’inferno, 1926), de Guido Brignone
- David, o Caçula / David, o Tolerado (Tol’able David, 1921), de Henry King
- As Mãos de Orlac (Orlacs Hände, 1924), de Robert Wiene
- Marinheiro por Descuido / O Navegante (The Navigator, 1924), de Donald Crisp e Buster Keaton
- Häxan – A Feitiçaria Através dos Tempos (Häxan, 1922), de Benjamin Christensen
- O Ladrão de Bagdá / O Ladrão de Bagdad (The Thief of Bagdad, 1924), de Raoul Walsh
- Amores de Estudante / Amores de Colegial / O Colegial (College, 1927), de James W. Horne e Buster Keaton
- O Homem das Novidades / O Homem da Manivela (The Cameraman, 1928), de Edward Sedgwick e Buster Keaton
- Won in the Clouds (1928), de Bruce M. Mitchell / Bruce Mitchell
- Thundering Thompson (1929), de Ben F. Wilson / B. Frank Wilson
- Arizona Days (1928), de J.P. McGowan
- The Old Barn (1929), de Mack Sennett
- His First Flame (1927), de Harry Edwards
- The Midnight Girl (1925), de Wilfred Noy
- Louca Orgia (The Wild Party, 1929), de Dorothy Arzner
- The Sawmill (1922), de Norman Taurog e Larry Semon
- Salomé (Salome, 1923), de Charles Bryant
- O Inquilino / O Locatário / O Hóspede / O Pensionista (The Lodger: A Story of the London Fog, 1927), de Alfred Hitchcock
- A Casa Maluca / A Casa Mal Assombrada (The Haunted House, 1921), de Edward F. Cline e Buster Keaton
- Big News (1929), de Gregory La Cava
- A Jovem Annie Rooney / A Pequena Annie (Little Annie Rooney, 1925), de William Beaudine
- The County Fair (1920), de Maurice Tourneur e Edmund Mortimer
- Goketsu Jiraiya / Jiraiya the Hero (1921), de Shozo Makino
- Cobra (1925), de Joseph Henabery
- The Light in the Dark / The Light of Faith (1922), de Clarence Brown
- Sonho e Realidade (Suds, 1920), de John Francis Dillon
- Por que Trocar de Esposa? (Why Change Your Wife?, 1920), de Cecil B. DeMille
- Nossa Hospitalidade / As Leis da Hospitalidade (Our Hospitality, 1923), de John G. Blystone e Buster Keaton
- Flesh and Blood (1922), de Irving Cummings
- The Trap (1922), de Robert Thornby
- The Shock (1923), de Lambert Hillyer
- O Excêntrico (The Nut, 1921), de Theodore Reed
- O Leque de Lady Windermere / O Leque de Lady Margarida (Lady Windermere’s Fan, 1925), de Ernst Lubitsch
- Pollyanna (1920), de Paul Powell
- A Filha do Cervejeiro (Kohlhiesels Töchter, 1920), de Ernst Lubitsch
- A Rua das Lágrimas / A Rua sem Sol (Die Freudlose Gasse, 1925), de Georg Wilhelm Pabst / G.W. Pabst
- Depois da Tempestade / A Imagem Errante (Das wandernde Bild, 1920), de Fritz Lang
- A Montanha do Tesouro (Zvenigora, 1928), de Aleksandr Dovzhenko / Aleksandr Dovjenko
- Órfãs da Tempestade / Órfãs da Tormenta / As Duas Orfãs (Orphans of the Storm, 1921), de D.W. Griffith / David W. Griffith / David Wark Griffith
- Os Quatro Cavaleiros do Apocalipse (The Four Horsemen of the Apocalypse, 1921), de Rex Ingram, Kevin Brownlow e David Gill
- Chantagem e Confissão (Blackmail, 1929), de Alfred Hitchcock
- To Milwaukee on the Christopher Columbus, 1920s, de Burton Holmes
- The Grand Canyon of Arizona, 1920s, de Burton Holmes
- The French Riviera, 1920s, de M.E. Diemer
- Naples, Pompeii and Vesuvius, 1920s, de M.E. Diemer
- Gibraltar, 1920s, de M.E. Diemer
- Tombs and temples of the Pharoahs, 1920s
- China and the Chinese, 1920s
- Ancient Rome, 1920s
- Famous Authors: Henry Wadsworth Longfellow (1922), de James A. Fitzpatrick
- The Good Samaritan, 1920s
- Beautiful Bruges 1920s, de Burton Holmes
- Wild West Show Parade (1927), de W.N. Holland
- Mississippi River Flood (1927), de W.N. Holland
- For the Term of His Natural Life (1927), de Norman Dawn
- O Velho e o Novo / A Linha Geral (Staroye i novoye, 1929), de Sergei M. Eisenstein e Grigori Aleksandrov
- Se Eu Fosse Rei / Poeta e Aventureiro (The Beloved Rogue, 1927), de Alan Crosland
- The Sun Down Limited (1924), de Robert F. McGowan
- Poor Daddy (1929), de Yang Xiaozhong / Xiaozhong Yang
- An Orphan (1929), de Zhang Weiwen / Weiwen Zhang
- Wandering Willies (1926), de Del Lord
- O Circo (The Circus, 1928), de Charles Chaplin
- Polizeibericht Überfall / Accident / Police Report! Assault (1928), de Ernö Metzner
- Manhatta / New York the Magnificent (1921), de Charles Sheeler e Paul Strand
- Symphonie diagonale (1924), de Viking Eggeling
- Race Symphony / Rennsymphonie (1928), de Hans Richter
- Inflação (Inflation. 1928), de Hans Richter
- Estudo para Filme / Estudo Fílmico (Filmstudie, 1926), de Hans Richter
- Laranjas e Limões (Oranges and Lemons, 1923), de George Jeske
- Minha Rainha / A Rainha Kelly (Queen Kelly, 1929), de Erich von Stroheim, Richard Boleslawski, Edmund Goulding, Irving Thalberg e Sam Wood
- A Mãe (Mat, 1926), de Vsevolod Pudovkin / Vsevolod I. Pudovkin
- Esposas Ingênuas / Esposas Levianas (Foolish Wives, 1922), de Erich von Stroheim
- Ouro e Maldição / Aves de Rapina (Greed, 1924), de Erich von Stroheim
- Ménilmontant (1926), de Dimitri Kirsanov / Dimitri Kirsanoff
- vídeos caseiros de Man Ray
- A estrela do mar (L’Étoile de mer, 1928), de Man Ray
- O Retorno à Razão (Le Retour à la Raison, 1923), de Man Ray
- Emak-Bakia (1926), de Man Ray
- Alta Voltagem (High Voltage, 1929), de Howard Higgin
- Chuva (Regen / Rain, 1929), de Joris Ivens e Mannus Franken
- L’Invitation au voyage (1927), de Germaine Dulac
- Anémic cinéma (1926), de Marcel Duchamp
- Robbery Under Arms (1920), de Kenneth Brampton
- The Rodeo (1929), de Alfred J. Goulding
- Entreato (Entr’acte, 1924), de René Clair
- Butter Fingers (1925), de Del Lord
- The Sex Life of the Polyp (1928), de Thomas Chalmers
- Double Trouble (1927), de James D. Davis
