1920
- O Morcego (The Bat, 1926), de Roland West
- O Ring / O Ringue (The Ring, 1927), de Alfred Hitchcock
- Fora da Lei (Outside the Law, 1920), de Tod Browning
- O Sheik (The Sheik, 1921), de George Melford
- Maciste no Inferno (Maciste all’inferno, 1926), de Guido Brignone
- David, o Caçula / David, o Tolerado (Tol’able David, 1921), de Henry King
- As Mãos de Orlac (Orlacs Hände, 1924), de Robert Wiene
- Marinheiro por Descuido / O Navegante (The Navigator, 1924), de Donald Crisp e Buster Keaton
- Häxan – A Feitiçaria Através dos Tempos (Häxan, 1922), de Benjamin Christensen
- O Ladrão de Bagdá / O Ladrão de Bagdad (The Thief of Bagdad, 1924), de Raoul Walsh
- Amores de Estudante / Amores de Colegial / O Colegial (College, 1927), de James W. Horne e Buster Keaton
- O Homem das Novidades / O Homem da Manivela (The Cameraman, 1928), de Edward Sedgwick e Buster Keaton
- Won in the Clouds (1928), de Bruce M. Mitchell / Bruce Mitchell
- Thundering Thompson (1929), de Ben F. Wilson / B. Frank Wilson
- Arizona Days (1928), de J.P. McGowan
- The Old Barn (1929), de Mack Sennett
- His First Flame (1927), de Harry Edwards
- The Midnight Girl (1925), de Wilfred Noy
- Louca Orgia (The Wild Party, 1929), de Dorothy Arzner
- The Sawmill (1922), de Norman Taurog e Larry Semon
- Salomé (Salome, 1923), de Charles Bryant
- O Inquilino / O Locatário / O Hóspede / O Pensionista (The Lodger: A Story of the London Fog, 1927), de Alfred Hitchcock
- A Casa Maluca / A Casa Mal Assombrada (The Haunted House, 1921), de Edward F. Cline e Buster Keaton
- Big News (1929), de Gregory La Cava
- A Jovem Annie Rooney / A Pequena Annie (Little Annie Rooney, 1925), de William Beaudine
- The County Fair (1920), de Maurice Tourneur e Edmund Mortimer
- Goketsu Jiraiya / Jiraiya the Hero (1921), de Shozo Makino
- Cobra (1925), de Joseph Henabery
- The Light in the Dark / The Light of Faith (1922), de Clarence Brown
- Sonho e Realidade (Suds, 1920), de John Francis Dillon