1930
- Barulho no Texas / Amazona do Texas / Confusão no Texas (Trouble in Texas, 1937), de Robert N. Bradbury
- Trapped by Television (1936), de Del Lord
- Non-Stop New York (1937), de Robert Stevenson
- Sitting on the Moon (1936), de Ralph Staub
- Lena Horne em Duke, O Máximo do Swing (The Duke Is Tops / The Bronze Venus, 1938), de William Nolte e Ralph Cooper
- A Shot in the Dark (1935), de Charles Lamont
- Green Eyes (1934), de Richard Thorpe
- Na Pista do Traidor / O Cavaleiro do Destino (Riders of Destiny, 1933), de Robert N. Bradbury
- The Beast of Borneo (1934), de Harry Garson
- House of Mystery (1934), de William Nigh
- Domando Hollywood / Um Motivo para Cantar / Como se Vence em Hollywood (Something to Sing About, 1937), de Victor Schertzinger
- Swing It, Sailor! (1938), de Raymond Cannon
- Gold (1932), de Otto Brower
- Marie Galante (1934), de Henry King
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- Twelve Crowded Hours (1939), de Lew Landers
- Hell’s Highway (1932), de Rowland Brown
- One Frightened Night (1935), de Christy Cabanne
- Êxtase (Ekstase, 1933), de Gustav Machatý
- No Turbilhão da Metrópole (Street Scene, 1931), de King Vidor
- The Sphinx (1933), de Phil Rosen e Wilfred Lucas
- Tempestade Num Copo D’Água (Storm in a Teacup, 1937), de Ian Dalrymple e Victor Saville
- A Caveira Que Assovia (Riders of the Whistling Skull, 1937), de Mack V. Wright
- Desert Phantom (1936), de S. Roy Luby
- Bulldog Drummond at Bay (1937), de Norman Lee
- O Casamento de Bulldog Drummond / A Noiva de Bulldog Drummond (Bulldog Drummond’s Bride, 1939), de James P. Hogan / James Hogan
- Breakdowns 1936-1942 e Blow Ups 1946-1947 da Warner Brothers
- O Segredo de Charlie Chan / Charlie Chan na Califórnia (Charlie Chan’s Secret, 1936), de Gordon Wiles
- Captura de Bulldog Drummond / Rende-te, Bulldog Drummond (Arrest Bulldog Drummond, 1939), de James P. Hogan e James Hogan
- O Zumbi / O Ressuscitado (The Ghoul, 1933), de T. Hayes Hunter