1930
- Na Pista do Traidor / O Cavaleiro do Destino (Riders of Destiny, 1933), de Robert N. Bradbury
- The Beast of Borneo (1934), de Harry Garson
- House of Mystery (1934), de William Nigh
- Domando Hollywood / Um Motivo para Cantar / Como se Vence em Hollywood (Something to Sing About, 1937), de Victor Schertzinger
- Swing It, Sailor! (1938), de Raymond Cannon
- Gold (1932), de Otto Brower
- Marie Galante (1934), de Henry King
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- Twelve Crowded Hours (1939), de Lew Landers
- Hell’s Highway (1932), de Rowland Brown
- One Frightened Night (1935), de Christy Cabanne
- Êxtase (Ekstase, 1933), de Gustav Machatý
- No Turbilhão da Metrópole (Street Scene, 1931), de King Vidor
- The Sphinx (1933), de Phil Rosen e Wilfred Lucas
- Tempestade Num Copo D’Água (Storm in a Teacup, 1937), de Ian Dalrymple e Victor Saville
- A Caveira Que Assovia (Riders of the Whistling Skull, 1937), de Mack V. Wright
- Desert Phantom (1936), de S. Roy Luby
- Bulldog Drummond at Bay (1937), de Norman Lee
- O Casamento de Bulldog Drummond / A Noiva de Bulldog Drummond (Bulldog Drummond’s Bride, 1939), de James P. Hogan / James Hogan
- Breakdowns 1936-1942 e Blow Ups 1946-1947 da Warner Brothers
- O Segredo de Charlie Chan / Charlie Chan na Califórnia (Charlie Chan’s Secret, 1936), de Gordon Wiles
- Captura de Bulldog Drummond / Rende-te, Bulldog Drummond (Arrest Bulldog Drummond, 1939), de James P. Hogan e James Hogan
- O Zumbi / O Ressuscitado (The Ghoul, 1933), de T. Hayes Hunter
- Ódio de Bandidos (Broadway to Cheyenne, 1932), de Harry L. Fraser e Harry Fraser
- Duas Vidas / Ele e Ela (Love Affair, 1939), de Leo McCarey
- Queen of Sports / Ti yu huang hou (1934), de Yu Sun / Sun Yu
- Jim, o Detective (Jim Hanvey, Detective, 1937), de Phil Rosen
- New Woman / Xin nü xing (1935), de Chusheng Cai / Cai Chusheng
- Song at Midnight / Ye ban ge sheng (1937), de Weibang Ma-Xu / Ma-Xu Weibang
- Waves Washing the Sand / Lang tao sha / Gold and Sand (1936), de Yonggang Wu / Wu Yonggang
- Song of the Fishermen / Yu guang qu (1934), de Chusheng Cai / Cai Chusheng
- Assassin of Youth / The Marijuana Menace (1937), de Elmer Clifton
- The Middleton Family at the New York World’s Fair (1939), de Robert R. Snody
- Pecado da Carne (Rain, 1932), de Lewis Milestone
- Scenes of City Life / Dushi fengguang / Cityscape (1935), de Yuan Muzhi / Muzhi Yuan / Mu-jih Yuan / Yuan Mu-jih
- Svengali (1931), de Archie Mayo
- O Emissário de Richelieu / O Poder de Richelieu (Under the Red Robe, 1937), de Victor Sjöström
- O Corsário (Corsair, 1931), de Roland West
- Homem sem Medo (Bulldog Courage, 1935), de Sam Newfield
- Última Hora (The Front Page, 1931), de Lewis Milestone
- Bulldog Drummond em Perigo / Uma Aventura de Drummond, o Detective (Bulldog Drummond’s Peril, 1938), de James P. Hogan
- Bulldog Drummond na África (Bulldog Drummond in Africa, 1938), de Louis King
- O Tesouro de Bulldog Drummond / Bulldog Drummond: Polícia Secreta (Bulldog Drummond’s Secret Police, 1939), de James P. Hogan / James Hogan
- Rembrandt (1936), de Alexander Korda
- Voltar a Viver / Tornamos a Viver / Ressurreição (We Live Again, 1934), de Rouben Mamoulian
- The Pace That Kills / Cocaine Fiends (1935), de William A. O’Connor / Wm. A. O’Connor
- Tudo Começou no Trópico / A Comédia da Vida (Swing High, Swing Low, 1937), de Mitchell Leisen
- Crossroads / Shi zi jie tou (1937), de Xiling Shen / Shen Xiling
- Hook Line and Sinker (1930), de Edward F. Cline / Edward Cline
- Air Devils (1938), de John Rawlins
- Cinco Destinos (The Devil’s Party, 1938), de Ray McCarey
- Death from a Distance (1935), de Frank R. Strayer
- The Girl Said No / With Words and Music (1937), de Andrew L. Stone
- Gang Bullets (1938), de Lambert Hillyer
- Bom Partido para Dois (Red Salute / Her Enlisted Man, 1935), de Sidney Lanfield
- Peter B. Kyne’s The Devil Diamond (1937), de Leslie Goodwins / Les Goodwins
- Traição Infame (In Old Caliente, 1939), de Joseph Kane
- Chinatown After Dark (1931), de Stuart Paton
- The Fighting Renegade (1939), de Sam Newfield
- Death in the Air / Pilot X (1936), de Elmer Clifton
- A Study Of Educational Inequalities In South Carolina (1936), de National Association For the Advancement of Colored People – NAACP
- The Ghost Walks (1934), de Frank R. Strayer / Frank Strayer
- Sunset Murder Case (1938), de Louis J. Gasnier
- Shadows Over Shanghai (1938), de Charles Lamont
- The Red Blood of Courage (1935), de John English / Jack English
- O Romance de um Gaiato (Peck’s Bad Boy, 1934), de Edward F. Cline
- Oliver Twist (1933), de William J. Cowen
- Love Bound / Murder on the High Seas (1932), de Robert F. Hill
- His Double Life (1933), de Arthur Hopkins
- Escape by Night (1937), de Hamilton MacFadden
- Patrulhando a Fronteira (The Border Patrolman, 1936), de David Howard
- Barefoot Boy (1938), de Karl Brown
- Ricardito Entre Chamas e Bandidos (The Live Wire, 1935), de Harry S. Webb
- Kentucky Blue Streak (1935), de Bernard B. Ray e Raymond K. Johnson
- Red Lights Ahead (1936), de Roland D. Reed e Roland Reed
- Uma Aventura no Circo (Peck’s Bad Boy with the Circus, 1938), de Edward F. Cline
- Songs and Saddles (1938), de Harry L. Fraser / Harry Fraser
- The Dark Hour (1936), de Charles Lamont
- Tough to Handle (1937), de S. Roy Luby
- The Way of the West (1934), de Robert Emmett Tansey / Robert Emmet
- O Alto-Falante (The Loudspeaker, 1934), de Joseph Santley
- Klondike (1932), de Phil Rosen
- The President’s Mystery (1936), de Phil Rosen
- Ases da Armada (Navy Born / Mariners of the Sky, 1936), de Nate Watt
- Breaking the Ice (1938), de Edward F. Cline
- Sinais de Alarme (Danger Lights, 1930), de George B. Seitz
- King of the Sierras / Black Stallion (1938), de Samuel Diege e Arthur Rosson
- Luta Heróica (The Mysterious Rider / Mark of the Avenger, 1938), de Lesley Selander
- Trigger Pals (1939), de Sam Newfield
- The Law Rides (1936), de Robert N. Bradbury
