1950
- My Outlaw Brother / My Brother, the Outlaw (1951), de Elliott Nugent
- O Cavaleiro do Colorado (Colorado Sundown, 1952), de William Witney
- One Way Ticket to Hell / Teenage Devil Dolls (1955), de Bamlet L. Price Jr.
- The Violent Years (1956), de William Morgan / Wm. M. Morgan
- Teenage Thunder (1957), de Paul Helmick
- The Joe Louis Story (1953), de Robert Gordon
- Louisiana Hussy (1959), de Lee Sholem e William Rowland
- Martinho Lutero (Martin Luther, 1953), de Irving Pichel
- Noivo Insuportável (The Groom Wore Spurs, 1951), de Richard Whorf
- Nunca Fomos Covardes / Rainha Sem Reino (Never Wave At A WAC, 1953), de Norman Z. McLeod
- Jan Hus (1954), de Otakar Vávra
- The Rebel Set (1959), de Gene Fowler Jr.
- Two Dollar Bettor (1951), de Edward L. Cahn
- Mulheres-gato da Lua / As Felinas da Lua (Cat-Women of the Moon, 1953), de Arthur Hilton
- Tarzan e os Caçadores de Pele / Tarzan e a Tribo Nagasu (Tarzan and the Trappers, 1958), de Charles F. Haas / Charles Haas, Sandy Howard e H. Bruce Humberstone
- Stamp Day for Superman (1954), de Thomas Carr
- Batalha de Guerreiros / Mohawk – A Lenda do Iroquês (Mohawk, 1956), de Kurt Neumann
- This Life of Mine / Wo zhe yi bei zi (1950), de Hui Shi / Shi Hui
- A Confissão de Thelma / Duas Confissões (The File on Thelma Jordon, 1950), de Robert Siodmak
- Hell Ship Mutiny (1957), de Lee Sholem e Elmo Williams
- Feras Que Foram Homens (Three Came Home / 3 Came Home, 1950), de Jean Negulesco
- Pânico nas Ruas (Panic in the Streets, 1950), de Elia Kazan
- Charade / Duel at Dawn (1953), de Roy Kellino
- Patrulha de Cobardes (Yellowneck, 1955), de R. John Hugh
- A História de Uma Cidadezinha (Home Town Story / Hometown Story, 1951), de Arthur Pierson
- Captain Scarface (1953), de Paul Guilfoyle
- Liane, das Mädchen aus dem Urwald / Liane Jungle Goddess (1956), de Eduard von Borsody
- Em Maré de Sorte (The Great Rupert / A Christmas Wish, 1950), de Irving Pichel
- The Snow Creature (1954), de W. Lee Wilder
- The Incredible Petrified World (1957), de Jerry Warren
- Operation Ivy (1952), de Civil Defense Administration
- O Renegado / Cowboys em Guerra / O Último Duelo (The Sundowners, 1950), de George Templeton
- Rhythm and Blues Revue (1955), de Joseph Kohn e Leonard Reed
- Terror in the Midnight Sun / Rymdinvasion i Lappland / Horror in the Midnight Sun / Invasion of the Animal People (1959), de Virgil W. Vogel
- Cavaleiros em Luta (Raiders of Old California, 1957), de Albert C. Gannaway
- The Big Bluff / Worthy Deceivers (1955), de W. Lee Wilder
- Demência (Dementia / Daughter of Horror, 1955), de John Parker
- Cupido Sempre Vence (The Lady Says No, 1951), de Frank Ross
- A Life at Stake / Key Man (1954), de Paul Guilfoyle
- Son of the Renegade (1953), de Reg Browne
- Flesh and the Spur (1957), de Edward L. Cahn
- Born to the Saddle (1953), de William Beaudine
- O Médico da Roça (Bells of Coronado, 1950), de William Witney
- O Tesouro Dos Bandoleiros (The Nevadan, 1950), de Gordon Douglas
- Ferrovia Da Morte / Abrindo Horizontes / Sabotagem no Kansas / Aliança de Ferro (Kansas Pacific, 1953), de Ray Nazarro
- Crime no Circo (The Fat Man, 1951), de William Castle
- The Man Who Cheated Himself (1950), de Felix E. Feist
- The Basketball Fix (1951), de Felix E. Feist
- Timeslip / The Atomic Man (1955), de Ken Hughes
- T-Bird Gang (1959), de Richard Harbinger
- Three Steps North / Tre passi a nord (1951), de W. Lee Wilder
- The Bloody Brood (1959), de Julian Roffman
- O Emissário de Outro Mundo (Not of This Earth, 1957), de Roger Corman
- O Homem do Planeta X (The Man From Planet X, 1951), de Edgar G. Ulmer
- História De Um Egoísta / Os Gigantes Dominam (Patterns, 1956), de Fielder Cook
- Lost, Lonely and Vicious (1958), de Frank Myers
- Starik Khottabych / Old Man Khottabych (1956), de Gennadi Kazansky
- Os Três Xarás (Three Guys Named Mike, 1951), de Charles Walters
- Paixão de Gaúcho (1957), de Walter George Durst
- Obras novas – Evolução de uma indústria (1951), de Lima Barreto
- São Paulo em Festa (1954), de Lima Barreto
- Santuário (1952), de Lima Barreto
- Painel (1951), de Lima Barreto
- Osso, Amor e Papagaio (1957), de Carlos Alberto de Souza Barros e César Memolo
- A Família Lero-Lero (1953), de Alberto Pieralisi
- O Sobrado (1956), de Walter George Durst e Cassiano Gabus Mendes
- Sinhá Moça (1953), de Tom Payne e Oswaldo Sampaio
- Nadando em Dinheiro (1952), de Abilio Pereira de Almeida e Carlos Thiré
- Sai da Frente (1952), de Tom Payne e Abilio Pereira de Almeida
- Candinho (1954), de Abilio Pereira de Almeida
- O Gato de Madame (1957), de Agostinho Martins Pereira
- Os Valentões (Die Halbstarken, 1956), de Georg Tressler
- Fúria ao Entardecer (Rage at Dawn, 1955), de Tim Whelan
- Teenagers Battle The Thing (1958), de Don Fields / Dave Flocker
- The Manster (1959), de George P. Breakston e Kenneth G. Crane
- Resistência Heróica (Only the Valiant, 1951), de Gordon Douglas
- Huracán Ramírez (1953), de Joselito Rodríguez
- Rocketship X-M / Expedition Moon (1950), de Kurt Neumann
- Criatura Sangrenta (Terror Is A Man / Blood Creature / Creature From Blood Island / The Gory Creatures / Island Of Terror, 1959), de Gerardo de Leon / Gerry DeLeon
- A Filha de Frankenstein (Frankenstein’s Daughter / She Monster of the Night, 1958), de Richard E. Cunha / Richard Cunha
- The Hideous Sun Demon (1959), de Tom Boutross e Robert Clarke
- Carnival Rock (1957), de Roger Corman
- Terror in the Haunted House / My World Dies Screaming (1958), de Harold Daniels
- O Venusiano (Stranger From Venus / Immediate Disaster / The Venusian, 1954), de Burt Balaban
- Destino à Lua / A Conquista da Lua (Destination Moon, 1950), de Irving Pichel
- Unknown World / To the Center of the Earth (1951), de Terry O. Morse
- Do Behnen (1959), de Kedar Kapoor / Kidar Kapoor
- O Submarino Atômico (The Atomic Submarine,1959), de Spencer Gordon Bennet / Spencer G. Bennet
- The Limping Man (1953), de Cy Endfield e Charles De la Tour
- Ilusão Perdida / Ilusões Perdidas (The Big Lift, 1950), de George Seaton
