Longa-metragem
- Na Pista do Traidor / O Cavaleiro do Destino (Riders of Destiny, 1933), de Robert N. Bradbury
- A Grande Roda / Brincando com a Sorte (The Big Wheel, 1949), de Edward Ludwig
- My Outlaw Brother / My Brother, the Outlaw (1951), de Elliott Nugent
- Fora da Lei (Outside the Law, 1920), de Tod Browning
- The Beast of Borneo (1934), de Harry Garson
- O Sheik (The Sheik, 1921), de George Melford
- House of Mystery (1934), de William Nigh
- People Are Funny (1946), de Sam White
- Domando Hollywood / Um Motivo para Cantar / Como se Vence em Hollywood (Something to Sing About, 1937), de Victor Schertzinger
- Swing It, Sailor! (1938), de Raymond Cannon
- Todos Muito Estranhos (All the Kind Strangers, 1974), de Burt Kennedy
- Os Fantasmas Enlouqueceram (Ghosts on the Loose, 1943), de William Beaudine
- The Astral Factor (1976), de John Florea, Gene Fowler Jr. e Arthur C. Pierce
- O Cavaleiro do Colorado (Colorado Sundown, 1952), de William Witney
- Gold (1932), de Otto Brower
- Marie Galante (1934), de Henry King
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- Maciste no Inferno (Maciste all’inferno, 1926), de Guido Brignone
- O Inferno (L’Inferno, 1911), de Francesco Bertolini, Adolfo Padovan e Giuseppe de Liguoro
- Portrait of a Lady Far Away / Sima-ye zani dar doordast (2005), de Ali Mosaffa
- As Simple as That / Be hamin sadegi (2008), de Seyyed Reza Mir-Karimi
- Twelve Crowded Hours (1939), de Lew Landers
- David, o Caçula / David, o Tolerado (Tol’able David, 1921), de Henry King
- Rock River Renegades (1942), de S. Roy Luby
- A Vida em um Dia (Life in a Day, 2011), de Kevin Macdonald
- Os Divorciados do Século / Divórcio Dele, Divórcio Dela (Divorce His – Divorce Hers, 1973), de Waris Hussein
- O Jovem Buffalo Bill (Young Buffalo Bill, 1940), de Joseph Kane
- Hell’s Highway (1932), de Rowland Brown
- One Frightened Night (1935), de Christy Cabanne
- A Hora do Assassino (Funeral for an Assassin, 1977), de Ivan Hall
- One Way Ticket to Hell / Teenage Devil Dolls (1955), de Bamlet L. Price Jr.
- The Violent Years (1956), de William Morgan / Wm. M. Morgan
- Teenage Thunder (1957), de Paul Helmick
- High School Caesar (1960), de O’Dale Ireland
- Êxtase (Ekstase, 1933), de Gustav Machatý
- Children of the Night (1985), de Robert Markowitz
- Bloody Wednesday (1987), de Mark G. Gilhuis
- As Mãos de Orlac (Orlacs Hände, 1924), de Robert Wiene
- Rosas de Sangue / O Sangue e a Rosa (Et Mourir de Plaisir, 1960), de Roger Vadim
- No Turbilhão da Metrópole (Street Scene, 1931), de King Vidor
- The Sphinx (1933), de Phil Rosen e Wilfred Lucas
- Tempestade Num Copo D’Água (Storm in a Teacup, 1937), de Ian Dalrymple e Victor Saville
- Fallguy (1962), de Donn Harling
- Aristocracia Americana (American Aristocracy, 1916), de Lloyd Ingraham
- Eternal Evil / The Blue Man (1985), de George Mihalka
- The Joe Louis Story (1953), de Robert Gordon
- Armadilha do Destino / O Beco (Cul-de-sac, 1966), de Roman Polanski
- Rescue from Gilligan’s Island (1978), de Leslie H. Martinson
- Guidable – A Verdadeira História do Ratos de Porão (2008), de Fernando Rick e Marcelo Appezzato
- Terra de Paixões / Horizontes de Sangue (Gunfighters, 1947), de George Waggner
- O Planeta dos Dinossauros (Planet of Dinosaurs, 1977), de James K. Shea
- Louisiana Hussy (1959), de Lee Sholem e William Rowland
- Love on the Dole (1941), de John Baxter
- Musica de viento (1988), de Roberto Gómez Bolaños
- Martinho Lutero (Martin Luther, 1953), de Irving Pichel
- Noivo Insuportável (The Groom Wore Spurs, 1951), de Richard Whorf
- Nunca Fomos Covardes / Rainha Sem Reino (Never Wave At A WAC, 1953), de Norman Z. McLeod
- A Garra de Aço (The Steel Claw, 1961), de George Montgomery
- Rano utrom / Early in the Morning (1966), de Tatyana Lioznova
- Jan Hus (1954), de Otakar Vávra
- O Trem Fantasma (The Ghost Train, 1941), de Walter Forde
- The Girl in Lovers Lane (1960), de Charles R. Rondeau
- Voando às Cegas (Flying Blind, 1941), de Frank McDonald
- Back-Room Boy (1942), de Herbert Mason
- The Rebel Set (1959), de Gene Fowler Jr.
- This Rebel Breed / The Black Rebels (1960), de Richard L. Bare e William Rowland
- A Caveira Que Assovia (Riders of the Whistling Skull, 1937), de Mack V. Wright
- Desert Phantom (1936), de S. Roy Luby
- Two Dollar Bettor (1951), de Edward L. Cahn
- Battle Beyond The Sun / Nebo zovyot (1962), de Mikhail Karzhukov / M. Karzhukov, Aleksandr Kozyr e Francis Ford Coppola / Thomas Colchart
- Bulldog Drummond at Bay (1937), de Norman Lee
- O Casamento de Bulldog Drummond / A Noiva de Bulldog Drummond (Bulldog Drummond’s Bride, 1939), de James P. Hogan / James Hogan
- Atomic Rulers Of The World (1965), de Koreyoshi Akasaka, Teruo Ishii e Akira Mitsuwa
- Breakdowns 1936-1942 e Blow Ups 1946-1947 da Warner Brothers
- Charlie Chan in Dark Alibi (1946), de Phil Karlson
- O Segredo de Charlie Chan / Charlie Chan na Califórnia (Charlie Chan’s Secret, 1936), de Gordon Wiles
- Captura de Bulldog Drummond / Rende-te, Bulldog Drummond (Arrest Bulldog Drummond, 1939), de James P. Hogan e James Hogan
- O Zumbi / O Ressuscitado (The Ghoul, 1933), de T. Hayes Hunter
- Satan’s Harvest (1970), de George Montgomery
- Mulheres-gato da Lua / As Felinas da Lua (Cat-Women of the Moon, 1953), de Arthur Hilton
- Ódio de Bandidos (Broadway to Cheyenne, 1932), de Harry L. Fraser e Harry Fraser
- Criada para destruir (Creature of destruction, 1967), de Larry Buchanan
- Duas Vidas / Ele e Ela (Love Affair, 1939), de Leo McCarey
- Tarzan e os Caçadores de Pele / Tarzan e a Tribo Nagasu (Tarzan and the Trappers, 1958), de Charles F. Haas / Charles Haas, Sandy Howard e H. Bruce Humberstone
- O Gorila Matador (The Ape Man, 1943), de William Beaudine
- The Road to Hollywood (1947), de Bud Pollard, Del Lord, Leslie Pearce e Mack Sennett
- Gasbags (1941), de Walter Forde e Marcel Varnel
- Harvard, Here I Come! (1941), de Lew Landers
- Os Dias Escolares de Tom Brown / Serás um Homem! (Tom Brown’s School Days, 1940), de Robert Stevenson
- Sita Sings the Blues (2008), de Nina Paley
