Longa-metragem
- Two Dollar Bettor (1951), de Edward L. Cahn
- Battle Beyond The Sun / Nebo zovyot (1962), de Mikhail Karzhukov / M. Karzhukov, Aleksandr Kozyr e Francis Ford Coppola / Thomas Colchart
- Bulldog Drummond at Bay (1937), de Norman Lee
- O Casamento de Bulldog Drummond / A Noiva de Bulldog Drummond (Bulldog Drummond’s Bride, 1939), de James P. Hogan / James Hogan
- Atomic Rulers Of The World (1965), de Koreyoshi Akasaka, Teruo Ishii e Akira Mitsuwa
- Breakdowns 1936-1942 e Blow Ups 1946-1947 da Warner Brothers
- Charlie Chan in Dark Alibi (1946), de Phil Karlson
- O Segredo de Charlie Chan / Charlie Chan na Califórnia (Charlie Chan’s Secret, 1936), de Gordon Wiles
- Captura de Bulldog Drummond / Rende-te, Bulldog Drummond (Arrest Bulldog Drummond, 1939), de James P. Hogan e James Hogan
- O Zumbi / O Ressuscitado (The Ghoul, 1933), de T. Hayes Hunter
- Satan’s Harvest (1970), de George Montgomery
- Mulheres-gato da Lua / As Felinas da Lua (Cat-Women of the Moon, 1953), de Arthur Hilton
- Ódio de Bandidos (Broadway to Cheyenne, 1932), de Harry L. Fraser e Harry Fraser
- Criada para destruir (Creature of destruction, 1967), de Larry Buchanan
- Duas Vidas / Ele e Ela (Love Affair, 1939), de Leo McCarey
- Tarzan e os Caçadores de Pele / Tarzan e a Tribo Nagasu (Tarzan and the Trappers, 1958), de Charles F. Haas / Charles Haas, Sandy Howard e H. Bruce Humberstone
- O Gorila Matador (The Ape Man, 1943), de William Beaudine
- The Road to Hollywood (1947), de Bud Pollard, Del Lord, Leslie Pearce e Mack Sennett
- Gasbags (1941), de Walter Forde e Marcel Varnel
- Harvard, Here I Come! (1941), de Lew Landers
- Os Dias Escolares de Tom Brown / Serás um Homem! (Tom Brown’s School Days, 1940), de Robert Stevenson
- Sita Sings the Blues (2008), de Nina Paley
- Marinheiro por Descuido / O Navegante (The Navigator, 1924), de Donald Crisp e Buster Keaton
- Hollywood: The Fabulous Era (1962), de Jack Haley Jr.
- Spider Baby or, The Maddest Story Ever Told (1968), de Jack Hill
- Dead Man Drinking (2008), de Rohan Harris
- Cafuné (2005), de Bruno Vianna
- A Maldição da Tumba / A Maldição do Túmulo de Tutankhamen (The Curse of King Tut’s Tomb, 1980), de Philip Leacock
- Grundeinkommen (2008), de Daniel Häni e Enno Schmid
- Batalha de Guerreiros / Mohawk – A Lenda do Iroquês (Mohawk, 1956), de Kurt Neumann
- Queen of Sports / Ti yu huang hou (1934), de Yu Sun / Sun Yu
- Jim, o Detective (Jim Hanvey, Detective, 1937), de Phil Rosen
- New Woman / Xin nü xing (1935), de Chusheng Cai / Cai Chusheng
- Insecurity (2007), de Rohan Harris
- This Life of Mine / Wo zhe yi bei zi (1950), de Hui Shi / Shi Hui
- Song at Midnight / Ye ban ge sheng (1937), de Weibang Ma-Xu / Ma-Xu Weibang
- Waves Washing the Sand / Lang tao sha / Gold and Sand (1936), de Yonggang Wu / Wu Yonggang
- Song of the Fishermen / Yu guang qu (1934), de Chusheng Cai / Cai Chusheng
- Feitiço do Sangue (Bloodspell, 2008), de Hugh Hancock
- A Corporação (The Corporation, 2003), de Mark Achbar e Jennifer Abbott
- O Futuro Dos Alimentos (The Future of Food, 2004), de Deborah Koons / Deborah Garcia
- Assassin of Youth / The Marijuana Menace (1937), de Elmer Clifton
- The Middleton Family at the New York World’s Fair (1939), de Robert R. Snody
- Na trilha da morte (Con la rabbia agli occhi / Death Rage, 1976), de Antonio Margheriti / Anthony M. Dawson
- Orgulho e Preconceito (Pride and Prejudice, 1940), de Robert Z. Leonard
- Häxan – A Feitiçaria Através dos Tempos (Häxan, 1922), de Benjamin Christensen
- A Confissão de Thelma / Duas Confissões (The File on Thelma Jordon, 1950), de Robert Siodmak
- Pecado da Carne (Rain, 1932), de Lewis Milestone
- Scenes of City Life / Dushi fengguang / Cityscape (1935), de Yuan Muzhi / Muzhi Yuan / Mu-jih Yuan / Yuan Mu-jih
- Um Homem a Respeitar / Toque de Mestre / Um Homem de Respeito (Un uomo da rispettare / The Master Touch / Ein achtbarer Mann, 1972), de Michele Lupo
- Svengali (1931), de Archie Mayo
- Hell Ship Mutiny (1957), de Lee Sholem e Elmo Williams
- Wake Me When the War Is Over (1969), de Gene Nelson
- Feras Que Foram Homens (Three Came Home / 3 Came Home, 1950), de Jean Negulesco
- O Emissário de Richelieu / O Poder de Richelieu (Under the Red Robe, 1937), de Victor Sjöström
- O Estranho Caso do Dr. Kildare / Dr. Kildare, um Caso Estranho (Dr. Kildare’s Strange Case, 1940), de Harold S. Bucquet
- O Corsário (Corsair, 1931), de Roland West
- Fed Up! Genetic Engineering, Industrial Agriculture and Sustainable Alternatives (2002), de Angelo Sacerdote
- Homem sem Medo (Bulldog Courage, 1935), de Sam Newfield
- Última Hora (The Front Page, 1931), de Lewis Milestone
- Pânico nas Ruas (Panic in the Streets, 1950), de Elia Kazan
- Tarzan, O Homem Macaco / Tarzan – O Rei dos Macacos / Tarzan dos Macacos (Tarzan of the Apes, 1918) , de Scott Sidney
- Bulldog Drummond em Perigo / Uma Aventura de Drummond, o Detective (Bulldog Drummond’s Peril, 1938), de James P. Hogan
- Bulldog Drummond na África (Bulldog Drummond in Africa, 1938), de Louis King
- Olhos na Noite / Olhos na Escuridão (Eyes in the Night, 1942), de Fred Zinnemann
- O Tesouro de Bulldog Drummond / Bulldog Drummond: Polícia Secreta (Bulldog Drummond’s Secret Police, 1939), de James P. Hogan / James Hogan
- Rembrandt (1936), de Alexander Korda
- Voltar a Viver / Tornamos a Viver / Ressurreição (We Live Again, 1934), de Rouben Mamoulian
- Charade / Duel at Dawn (1953), de Roy Kellino
- Nobody Needs to Know (2003), de Azazel Jacobs
- The Pace That Kills / Cocaine Fiends (1935), de William A. O’Connor / Wm. A. O’Connor
- Este Homem Não Deve Morrer (I lunghi giorni dell’odio / This Man Can’t Die, 1968), de Gianfranco Baldanello
- Patrulha de Cobardes (Yellowneck, 1955), de R. John Hugh
- La rivolta dei barbari / Revolt of the Barbarians (1964), de Guido Malatesta
- Sob o Signo de Capricórnio (Under Capricorn, 1949), de Alfred Hitchcock
- A História de Uma Cidadezinha (Home Town Story / Hometown Story, 1951), de Arthur Pierson
- The Spring River Flows East / Yi jiang chun shui xiang dong liu (1947), de Chusheng Cai / Cai Chusheng e Junli Zheng / Zheng Junli
- Os Vampiros (Les Vampires, 1915), de Louis Feuillade
- Tudo Começou no Trópico / A Comédia da Vida (Swing High, Swing Low, 1937), de Mitchell Leisen
- Breakfast in Hollywood (1946), de Harold D. Schuster / Harold Schuster
- Killer Diller (1948), de Josh Binney
- Crossroads / Shi zi jie tou (1937), de Xiling Shen / Shen Xiling
- Let’s Go Collegiate (1941), de Jean Yarbrough
- Mr. Wise Guy (1942), de William Nigh
- O Ladrão de Bagdá / O Ladrão de Bagdad (The Thief of Bagdad, 1924), de Raoul Walsh
- Hook Line and Sinker (1930), de Edward F. Cline / Edward Cline
- As Trapalhadas do Harold / Os Piores Anos da Sua Vida (The Sin of Harold Diddlebock / Mad Wednesday, 1947), de Preston Sturges
- The Martyrs of the Alamo / The Birth of Texas (1915), de W. Christy Cabanne
- Amores de Estudante / Amores de Colegial / O Colegial (College, 1927), de James W. Horne e Buster Keaton
- Air Devils (1938), de John Rawlins

