Suspense / thriller
- Non-Stop New York (1937), de Robert Stevenson
- A Shot in the Dark (1935), de Charles Lamont
- Green Eyes (1934), de Richard Thorpe
- Todos Muito Estranhos (All the Kind Strangers, 1974), de Burt Kennedy
- Marie Galante (1934), de Henry King
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- One Frightened Night (1935), de Christy Cabanne
- The Sphinx (1933), de Phil Rosen e Wilfred Lucas
- Jim, o Detective (Jim Hanvey, Detective, 1937), de Phil Rosen
- Insecurity (2007), de Rohan Harris
- Pânico nas Ruas (Panic in the Streets, 1950), de Elia Kazan
- O Tesouro de Bulldog Drummond / Bulldog Drummond: Polícia Secreta (Bulldog Drummond’s Secret Police, 1939), de James P. Hogan / James Hogan
- Charade / Duel at Dawn (1953), de Roy Kellino
- Sob o Signo de Capricórnio (Under Capricorn, 1949), de Alfred Hitchcock
- Death from a Distance (1935), de Frank R. Strayer
- The Ghost Walks (1934), de Frank R. Strayer / Frank Strayer
- Love Bound / Murder on the High Seas (1932), de Robert F. Hill
- The Dark Hour (1936), de Charles Lamont
- The President’s Mystery (1936), de Phil Rosen
- The Panther’s Claw (1942), de William Beaudine
- The House of Secrets (1936), de Roland D. Reed
- Murder on the Campus (1933), de Richard Thorpe
- The Missing Corpse (1945), de Albert Herman
- Rogues Gallery (1944), de Albert Herman
- O Expresso-Fantasma (The Phantom Express, 1932), de Emory Johnson
- Emma na Tempestade (2002), de Gustavo Galvão
- A Volta do Sombra (The Shadow Returns, 1947), de Phil Rosen e William Beaudine
- Curtain at Eight (1933), de E. Mason Hopper
- The 13th Man (1937), de William Nigh
- Midnight Warning / Eyes of Mystery (1932), de Spencer Gordon Bennet
- A Scream in the Night (1935), de Fred C. Newmeyer
- Discarded Lovers (1932), de Fred C. Newmeyer
- Crime no Circo (The Fat Man, 1951), de William Castle
- O Inquilino / O Locatário / O Hóspede / O Pensionista (The Lodger: A Story of the London Fog, 1927), de Alfred Hitchcock
- Poder Diabólico (The Yin and the Yang of Mr. Go / The Third Eye, 1970), de Burgess Meredith
- cenas extras: O Fundo do Mar / O Abismo (The Deep, 1977), de Peter Yates
- Vôo 502 em Perigo (Murder on Flight 502, 1975), de George McCowan
- Maria Marten, or The Murder in the Red Barn / Murder in the Old Red Barn (1935), de Milton Rosmer
- À Meia Luz / À Meia-Luz (Gaslight, 1940), de Thorold Dickinson
- The Riverside Murder (1935), de Albert Parker
- Corrupção branca (The Lazarus Syndrome, 1978), de Jerry Thorpe
- Tangled Destinies (1932), de Frank R. Strayer
- The Lodger / The Phantom Fiend (1932), de Maurice Elvey
- Flesh and Blood (1922), de Irving Cummings
- The Trap (1922), de Robert Thornby
- The Shock (1923), de Lambert Hillyer
- Esquecer, Nunca (They Won’t Forget, 1937), de Mervyn LeRoy
- Saloon Bar (1940), de Walter Forde
- The Ticket of Leave Man (1937), de George King
- Com as Próprias Mãos (2008), de Aly Muritiba
- Crime na Mansão Sombria (Crimes at the Dark House, 1940), de George King
- The Adventures of Tartu (1943), de Harold S. Bucquet
- A Face in the Fog (1936), de Robert F. Hill
- Strangers of the Evening / Case of the Missing Corpse / The Hidden Corpse (1932), de H. Bruce Humberstone
- A Hipócrita / Mulher Sem Alma (Guest in the House / Satan in Skirts, 1944), de John Brahm, André De Toth e Lewis Milestone
- Juggernaut (1936), de Henry Edwards
- Os Valentões (Die Halbstarken, 1956), de Georg Tressler
- As Mulheres Sabem Demais / Com sua mesma arma (Slightly Honorable, 1940), de Tay Garnett
- Flor do Mal / Uma Mulher Estranha (The Strange Woman, 1946), de Edgar G. Ulmer
- Rog (2005), de Himanshu Brahmbhatt
- Onde Andará Dulce Veiga? (2008), de Guilherme de Almeida Prado
- Chantagem e Confissão (Blackmail, 1929), de Alfred Hitchcock
- A Raça Maldita (The Killing Kind, 1973), de Curtis Harrington
- Slashed Dreams / Sunburst (1975), de James Polakof
- Anatomy of a Psycho (1961), de Boris Petroff / Brooke L. Peters
- Hijack (1973), de Leonard Horn
- La Semana del Asesino / The Cannibal Man / The Apartment on the 13th Floor (1972), de Eloy de la Iglesia
- Money Madness (1948), de Sam Newfield
- Uma garota e uma arma / A Girl and a Gun (2009), de J.P. Miranda Maria / João Paulo Miranda Maria
- The Mandarin Mystery (1936), de Ralph Staub
- A Bruxa de Portobello de Paulo Coelho / A Bruxa Experimental / The Experimental Witch (2008)
- The Speckled Band (1931), de Jack Raymond
- O Vingador Invisível / Convite para a Morte (Rene Clair’s And Then There Were None / Ten Little Niggers, 1945), de René Clair
- Phantom of Chinatown (1940), de Phil Rosen
- Mr. Wong em Chinatown (Mr. Wong in Chinatown, 1939), de William Nigh
- A Hora Fatal / Noite de Terror (The Fatal Hour, 1940), de William Nigh
- Ex Inferis (2003), de Paulo Miranda
- The Mystery of Mr. Wong (1939), de William Nigh
- Corrompendo Paulo (2004), de Tiago Morena
- Sabotagem no Mar (Mystery Liner / The Ghost of John Holling, 1934), de William Nigh
- A Vivenda Trágica (Love from a Stranger, 1937), de Rowland V. Lee
- Inner Sanctum (1948), de Lew Landers
- A_ética (2008), de Pablo Villaça
- The Payoff (1942), de Arthur Dreifuss
- A Bruxa de Portobello – segundo Antoine Locadour (2008), de Fernando Duprat / Fernando Espindola
- Um Branco Súbito (2001), de Ricardo Mehedff
- The Clairvoyant / The Evil Mind (1934), de Maurice Elvey
- Sangue de pantera / A pantera (Cat People, 1942), de Jacques Tourneur
- O Estranho Inquilino / Jack, o Estripador / O Homem do Sótão (Man in the Attic, 1953), de Hugo Fregonese
- O Pulso (1997), de José Pedro Goulart
