EUA
- Os Dias Escolares de Tom Brown / Serás um Homem! (Tom Brown’s School Days, 1940), de Robert Stevenson
- Sita Sings the Blues (2008), de Nina Paley
- Marinheiro por Descuido / O Navegante (The Navigator, 1924), de Donald Crisp e Buster Keaton
- Hollywood Without Make-Up (1963), de Rudy Behlmer / Rudy Behlmar, Loring d’Usseau / Loring D. D’Usseau e Ken Murray
- Hollywood: The Fabulous Era (1962), de Jack Haley Jr.
- Spider Baby or, The Maddest Story Ever Told (1968), de Jack Hill
- A Maldição da Tumba / A Maldição do Túmulo de Tutankhamen (The Curse of King Tut’s Tomb, 1980), de Philip Leacock
- Batalha de Guerreiros / Mohawk – A Lenda do Iroquês (Mohawk, 1956), de Kurt Neumann
- Jim, o Detective (Jim Hanvey, Detective, 1937), de Phil Rosen
- O Futuro Dos Alimentos (The Future of Food, 2004), de Deborah Koons / Deborah Garcia
- Assassin of Youth / The Marijuana Menace (1937), de Elmer Clifton
- The Middleton Family at the New York World’s Fair (1939), de Robert R. Snody
- Orgulho e Preconceito (Pride and Prejudice, 1940), de Robert Z. Leonard
- A Confissão de Thelma / Duas Confissões (The File on Thelma Jordon, 1950), de Robert Siodmak
- Pecado da Carne (Rain, 1932), de Lewis Milestone
- Svengali (1931), de Archie Mayo
- Hell Ship Mutiny (1957), de Lee Sholem e Elmo Williams
- Wake Me When the War Is Over (1969), de Gene Nelson
- Feras Que Foram Homens (Three Came Home / 3 Came Home, 1950), de Jean Negulesco
- O Emissário de Richelieu / O Poder de Richelieu (Under the Red Robe, 1937), de Victor Sjöström
- O Estranho Caso do Dr. Kildare / Dr. Kildare, um Caso Estranho (Dr. Kildare’s Strange Case, 1940), de Harold S. Bucquet
- O Corsário (Corsair, 1931), de Roland West
- Fed Up! Genetic Engineering, Industrial Agriculture and Sustainable Alternatives (2002), de Angelo Sacerdote
- Homem sem Medo (Bulldog Courage, 1935), de Sam Newfield
- Here Is Germany (1945), de Frank Capra
- Última Hora (The Front Page, 1931), de Lewis Milestone
- Pânico nas Ruas (Panic in the Streets, 1950), de Elia Kazan
- Tarzan, O Homem Macaco / Tarzan – O Rei dos Macacos / Tarzan dos Macacos (Tarzan of the Apes, 1918) , de Scott Sidney
- Bulldog Drummond em Perigo / Uma Aventura de Drummond, o Detective (Bulldog Drummond’s Peril, 1938), de James P. Hogan
- Bulldog Drummond na África (Bulldog Drummond in Africa, 1938), de Louis King
- Olhos na Noite / Olhos na Escuridão (Eyes in the Night, 1942), de Fred Zinnemann
- O Tesouro de Bulldog Drummond / Bulldog Drummond: Polícia Secreta (Bulldog Drummond’s Secret Police, 1939), de James P. Hogan / James Hogan
- Voltar a Viver / Tornamos a Viver / Ressurreição (We Live Again, 1934), de Rouben Mamoulian
- By the Sun’s Rays (1914), de Charles Giblyn
- Charade / Duel at Dawn (1953), de Roy Kellino
- Nobody Needs to Know (2003), de Azazel Jacobs
- The Pace That Kills / Cocaine Fiends (1935), de William A. O’Connor / Wm. A. O’Connor
- Patrulha de Cobardes (Yellowneck, 1955), de R. John Hugh
- trecho: Esther E o Rei / Ester e o Rei (Esther and the King / Esther e il Re, 1960), de Raoul Walsh e Mario Bava
- A História de Uma Cidadezinha (Home Town Story / Hometown Story, 1951), de Arthur Pierson
- Tudo Começou no Trópico / A Comédia da Vida (Swing High, Swing Low, 1937), de Mitchell Leisen
- Breakfast in Hollywood (1946), de Harold D. Schuster / Harold Schuster
- Killer Diller (1948), de Josh Binney
- Let’s Go Collegiate (1941), de Jean Yarbrough
- Mr. Wise Guy (1942), de William Nigh
- O Ladrão de Bagdá / O Ladrão de Bagdad (The Thief of Bagdad, 1924), de Raoul Walsh
- Hook Line and Sinker (1930), de Edward F. Cline / Edward Cline
- As Trapalhadas do Harold / Os Piores Anos da Sua Vida (The Sin of Harold Diddlebock / Mad Wednesday, 1947), de Preston Sturges
- The Martyrs of the Alamo / The Birth of Texas (1915), de W. Christy Cabanne
- Amores de Estudante / Amores de Colegial / O Colegial (College, 1927), de James W. Horne e Buster Keaton
- Air Devils (1938), de John Rawlins
- Five Minutes to Live (1961), de Bill Karn
- Wholesale Souls, Inc. (2006), de Andrew Gingerich
- Ataque Nazista / Hitler Desafia o Mundo (Why We Fight 2: The Nazis Strike / The Nazi Strike: Blitzkrieg!, 1943), de Frank Capra e Anatole Litvak
- Dividir e Conquistar / Dividir para Conquistar (Why We Fight 3: Divide and Conquer, 1943), de Frank Capra e Anatole Litvak
- A Batalha da China (Why We Fight 6: The Battle of China: Assault on the Great Wall, 1944), de Frank Capra e Anatole Litvak
- A Batalha da Rússia (Why We Fight 5: The Battle of Russia: The Nazi March Frozen, 1943), de Frank Capra e Anatole Litvak
- Sede de Ouro (Young Bill Hickok, 1940), de Joseph Kane
- O Rapto de Trigger / Balas Traiçoeiras / Roy Rogers e o Rapto de Trigger (Under California Stars, 1948), de William Witney
- Captain Scarface (1953), de Paul Guilfoyle
- Cinco Destinos (The Devil’s Party, 1938), de Ray McCarey
- Death from a Distance (1935), de Frank R. Strayer
- O Homem das Novidades / O Homem da Manivela (The Cameraman, 1928), de Edward Sedgwick e Buster Keaton
- The Gun and the Pulpit (1974), de Daniel Petrie
- Colonel Effingham’s Raid (1946), de Irving Pichel
- The Girl Said No / With Words and Music (1937), de Andrew L. Stone
- Enter The Lone Ranger (1949), de ?
- Submarine Alert (1943), de Frank McDonald
- Em Maré de Sorte (The Great Rupert / A Christmas Wish, 1950), de Irving Pichel
- The Beatniks (1960), de Paul Frees
- Forja de Heróis (Irving Berlin’s This is the Army, 1943), de Michael Curtiz
- Lost in the Wash (2005), de Aren Haun
- Combate Aéreo (Aerial Gunner, 1943), de William H. Pine
- Hearts in Exile / Hearts Afire (1915), de James Young
- Rifle Marksmanship with the M1 Rifle (1942), de U.S. War Department
- The Snow Creature (1954), de W. Lee Wilder
- Boy Who Never Slept (2006), de Solomon Rothman
- Hitler – Dead or Alive (1942), de Nick Grinde
- A Rainha das Amazonas (Queen of the Amazons, 1947), de Edward Finney / Edward F. Finney
- Gang Bullets (1938), de Lambert Hillyer
- The Incredible Petrified World (1957), de Jerry Warren
- Bom Partido para Dois (Red Salute / Her Enlisted Man, 1935), de Sidney Lanfield
- Operation Ivy (1952), de Civil Defense Administration
- Juramento De Vingança (Oath of Vengeance, 1944), de Sam Newfield
- Peter B. Kyne’s The Devil Diamond (1937), de Leslie Goodwins / Les Goodwins
- Always Tomorrow: The Portrait of an American Business (1941), de ?
- The Three Stooges – Color Craziness (1965), de ?
- O Puro Sangue / Dan Patch – O Grande / A Última Corrida (Ride a Reckless Mile / The Great Dan Patch, 1949), de Joseph M. Newman / Joe Newman
- State Department: File 649 (1949), de Sam Newfield / Peter Stewart
- Sonhos de Estrela (Doll Face, 1945), de Lewis Seiler
