Inglaterra
- O Ring / O Ringue (The Ring, 1927), de Alfred Hitchcock
- Non-Stop New York (1937), de Robert Stevenson
- King Arthur Was a Gentleman (1942), de Marcel Varnel
- Dominique (Dominique Is Dead, 1978), de Michael Anderson
- The Death of Poor Joe (1901), de George Albert Smith
- The Sleeping Cardinal (1931), de Leslie S. Hiscott
- Ken Russell on Federico Fellini (2009)
- O Inferno (L’Inferno, 1911), de Francesco Bertolini, Adolfo Padovan e Giuseppe de Liguoro
- A Vida em um Dia (Life in a Day, 2011), de Kevin Macdonald
- Os Divorciados do Século / Divórcio Dele, Divórcio Dela (Divorce His – Divorce Hers, 1973), de Waris Hussein
- Tempestade Num Copo D’Água (Storm in a Teacup, 1937), de Ian Dalrymple e Victor Saville
- Armadilha do Destino / O Beco (Cul-de-sac, 1966), de Roman Polanski
- Love on the Dole (1941), de John Baxter
- O Trem Fantasma (The Ghost Train, 1941), de Walter Forde
- Bulldog Drummond at Bay (1937), de Norman Lee
- Gasbags (1941), de Walter Forde e Marcel Varnel
- A Maldição da Tumba / A Maldição do Túmulo de Tutankhamen (The Curse of King Tut’s Tomb, 1980), de Philip Leacock
- Feitiço do Sangue (Bloodspell, 2008), de Hugh Hancock
- O Emissário de Richelieu / O Poder de Richelieu (Under the Red Robe, 1937), de Victor Sjöström
- Rembrandt (1936), de Alexander Korda
- Sob o Signo de Capricórnio (Under Capricorn, 1949), de Alfred Hitchcock
- The Devils Feast (1999), de Sharon Woodward
- Blood Tide / To kyma tou aimatos / Demon Island (1982), de Richard Jefferies
- The Power of Nightmares: The Rise of the Politics of Fear (2004), de Adam Curtis
- Gulp (2011), de Sumo Science at Aardman
- Theirs Is the Glory / Men of Arnhem (1946), de Brian Desmond Hurst / B.D. Hurst
- The High Command (1938), de Thorold Dickinson
- O Gigante de Londres / Pânico na Bolsa (Thunder in the City, 1937), de Marion Gering
- Vitória na Tunísia (Tunisian Victory: An Official Record, 1944), de Frank Capra, Hugh Stewart e John Huston
- Things Happen at Night (1947), de Francis Searle
- O Inquilino / O Locatário / O Hóspede / O Pensionista (The Lodger: A Story of the London Fog, 1927), de Alfred Hitchcock
- Nosso Barco, Nossa Alma / Sangue, Suor e Lágrimas / A Armada em que Servimos (In which we Serve, 1942), de Noel Coward e David Lean
- A Legião da Índia / Revolta na Índia (The Drum, 1938), de Zoltan Korda
- Amor De Menina / Amor Perigoso (Baby Love, 1968), de Alastair Reid
- Como gostais / Como vos agradar (As You Like It, 1936), de Paul Czinner
- Sob a Luz das Estrelas / Noite Sem Estrelas (The Stars Look Down, 1940), de Carol Reed
- Os Amores De Don Juan / A Última Aventura de D. João (The Private Life Of Don Juan, 1934), de Alexander Korda
- Muito Além do Cidadão Kane (Beyond Citizen Kane, 1993), de Simon Hartog
- Timeslip / The Atomic Man (1955), de Ken Hughes
- Poder Diabólico (The Yin and the Yang of Mr. Go / The Third Eye, 1970), de Burgess Meredith
- Pigmalião (Bernard Shaw’s Pygmalion, 1938), de Anthony Asquith e Leslie Howard
- O Homem que Mudou Sua Mente / O Homem que Mudou de Alma (The Man Who Changed His Mind / The Man Who Lived Again, 1936), de Robert Stevenson
- Maria Marten, or The Murder in the Red Barn / Murder in the Old Red Barn (1935), de Milton Rosmer
- À Meia Luz / À Meia-Luz (Gaslight, 1940), de Thorold Dickinson
- The Riverside Murder (1935), de Albert Parker
- Spellbound / Passing Clouds / The Spell of Amy Nugent / Ghost Story (1941), de John Harlow
- The Dark Tower (1943), de John Harlow
- Car of Dreams (1935), de Graham Cutts e Austin Melford
- Os Amores de Henrique VIII / A Vida Privada de Henrique VIII (The Private Life of Henry VIII, 1933), de Alexander Korda
- chamada de TV: Asylum / House Of Crazies (1972), de Roy Ward Baker
- Jornada Sinistra (Dark Journey, 1937), de Victor Saville
- The Lodger / The Phantom Fiend (1932), de Maurice Elvey
- Expedição Antártida / A Tragédia do Capitão Scott (Scott of the Antarctic, 1948), de Charles Frend
- Saloon Bar (1940), de Walter Forde
- The Passing of the Third Floor Back (1935), de Berthold Viertel
- Windbag the Sailor (1936), de William Beaudine
- The Ticket of Leave Man (1937), de George King
- Crime na Mansão Sombria (Crimes at the Dark House, 1940), de George King
- The Tunnel / Transatlantic Tunnel (1935), de Maurice Elvey
- The Adventures of Tartu (1943), de Harold S. Bucquet
- Juggernaut (1936), de Henry Edwards
- Kurosawa: The Last Emperor (1999), de Alex Cox
- Mergulhamos ao Amanhecer (We Dive at Dawn, 1943), de Anthony Asquith
- Song of Freedom (1936), de J. Elder Wills
- Sweeney Todd – O Barbeiro Demoníaco da Rua Fleet (Sweeney Todd: The Demon Barber of Fleet Street, 1936), de George King
- A Vivenda Trágica (Love from a Stranger, 1937), de Rowland V. Lee
- O Destino de uma Paixão / Jane Eyre De Charlotte Bronte (Jane Eyre, 1970), de Delbert Mann
- Alto Risco / Viagem ao Perigo / Mercenários por Conta Própria (High Risk / Los Gringos, 1981), de Stewart Raffill
- Um Vulto na Janela (The Face at the Window, 1939), de George King
- A Rainha Imortal / Catarina da Rússia (The Rise of Catherine the Great, 1934), de Paul Czinner e Alexander Korda
- O Expresso do Horror (Horror Express, 1973), de Eugenio Martín / Gene Martin
- The Song of Ceylon (1934), de Basil Wright
- As Minas do Rei Salomão / As Minas de Salomão (King Solomon’s Mines, 1937), de Robert Stevenson
- O Divórcio da Madame X / O Divórcio de Madame X / O Divórcio de Lady X (The Divorce of Lady X, 1938), de Tim Whelan
- Sabotagem / O Marido Era o Culpado / À 1 e 45 (Sabotage, 1936), de Alfred Hitchcock
- O mistério número 17 / Número Dezassete / O Mistério do Número 17 / O Mistério no 17o. / O Mistério do No. 17 (Number Seventeen / Number 17, 1932), de Alfred Hitchcock
- Lancelot, o Cavaleiro de Ferro (Lancelot and Guinevere, 1963), de Cornel Wilde
- Robinson Crusoe (1927), de M.A. Wetherell
- O Mistério do Marie Celeste / O Navio Fantasma (Phantom Ship / The Mystery Of The Marie Celeste, 1935), de Denison Clift
- The Sign of Four: Sherlock Holmes’ Greatest Case (1932), de Graham Cutts
- La Sorella di Satana / The She Beast / Il Lago di Satana / Revenge of the Blood Beast (1966), de Michael Reeves / Mike Reeves
- O Triunfo de Sherlock Holmes (The Triumph of Sherlock Holmes, 1935), de Leslie S. Hiscott
- O Cavalo Desaparecido / O Caso ‘Silver Blaze’ (Murder at the Baskervilles / Silver Blaze, 1937), de Thomas Bentley
- Os Pescadores de Aran / O homem de Aran / O Homem e o Mar (Man of Aran, 1934), de Robert J. Flaherty
- O Vagabundo da Praia / Vagabundo Do Pacífico (The Beachcomber, 1954), de Muriel Box
- Jovem e Inocente (Young and Innocent, 1937), de Alfred Hitchcock
- Os 39 Degraus (The 39 Steps / The Thirty-Nine Steps, 1935), de Alfred Hitchcock
- Eles Vieram do Espaço Exterior (They Came From Beyond Space, 1967), de Freddie Francis
- O Diabo Riu Por Último / O Tesouro de África (Beat the Devil / Il tesoro dell’Africa, 1953), de John Huston
- trecho: Faust / Lekce Faust (1994), de Jan Svankmajer
